If you go to gigs a lot, you know how important your live kick drum sound is.. That’s why choosing the best kick drum mic you can afford can make a huge difference to your live sound.. If you continue to use this site we will assume that you are happy with it. Literally 6-7 months ago. http://www.youtube.com/subscription_center?add_user=ultimatestudiosinc A great drum sound starts with a solid bottom end. No matter where you place the mic, you can reduce the amount of boominess from the drum by placing a pillow or blanket inside it. But when we do our own sound I put the mic on a stand in front of the reso port and kinda point it toward the beater. Start here. When recording a kick drum, most recording engineers choose a dynamic microphone. The sound was disproportionally all attack, no beef. I first pointed the mic directly at the beater impact point, but I wasnt getting as much boom as I was hoping for. (The only bass drum mic I had at that point.) Privacy Tools. I usually run a reso-ported 22" Gretsch RN 2 kick with an AKG D112 mounted on a Kelly Shu, either pointed dead ahead toward … Don't try to make the kick sound all modern and punchy and huge, with no hole the sound will be fat and warm and your mic in front of that with a little EQ and gate into a decent sound system will work just fine. Thanks. Placed 3 ” up-just off the edge-tilted towards the Center. You should only be using dynamic microphones inside the drum. I think it gives a good mix of fullness and articulation, but then again our PA speakers are fairly small and we don't carry separate subs, so that's probably a factor as well. This Mic Placement Guide can be used as a starting set-up no matter how big the room is or if you are indoor or outdoor. If possible, use a mic specifically for kick drum — try an AKG D112, a Shure Beta52, or a mic that has a frequency response which favors bass tones, such as an Electro-Voice RE20, or a Sennheiser MD421. We use cookies to ensure that we give you the best experience on our website. Literally that same night I received a brand new EV ND68 kick drum mic as payment from a previous debt I was owed. The D6 makes a pleasing sound easily on nearly any kick drum and it isn't picky about placement making it a "good" choice for many applications. Have a hole in the front head that’s big enough for a mic to fit in. In fact, you can find some large-diaphragm dynamic mics specifically designed to record kick drums. Live vs Studio Drum Miking Techniques. A ribbon is the ideal mic choice where the natural sound of the drum is exposed and not competing with layers of electric guitars. I usually run a reso-ported 22" Gretsch RN 2 kick with an AKG D112 mounted on a Kelly Shu, either pointed dead ahead toward the point of … I had a similar experience recently that's why I brought it up. Placed 3 ” up-just off the edge-tilted towards the Center. How To Use Overhead Mics on a Drumkit by Mike Sessler | Heil Sound Blog. The kick is even more straightforward. The Snare Drum- Use an SM57 Dynamic Hyper-Cardioid Microphone for classic Live sound. In this case, place the mic right in the middle, pointing where the beater strikes the drum. Best Kick Drum Mics for Live Sound: Comparison. Mod… honestly, your EQ settings will matter 500 times more than the mic you choose. I also realized that my personal tastes have changes since I first purchased that AKG bass drum mic many years ago. For a better experience, please enable JavaScript in your browser before proceeding. It all depends on the sound you want and the relation with the system in question (everything). Heres my story. The comes to the difference in choosing microphones for recording vs. live sound, it’s a case of getting the perfect tone vs. creating an inspiring performance! honestly, your EQ settings will matter 500 times more than the mic you choose. Hello all, I thought it would be interesting to read people's thoughts on ideal bass drum mic placement for optimal sound. Moving the mic on the snare can be the solution if you are hearing to much “ring,” or if the drum is too tubby. I just went through this very thing. In summary, all these mics will do the job but some are more suited to certain scenarios over others. In a live setting, the biggest challenge most engineers face is getting the most gain without feedback, and the noise onstage and from the venue’s mechanical systems typically masks finer details like the noise floor of the mics. If the kick drum has a hole in the front head, interior placement is an easy way to capture a punchy and consistent kick drum sound. This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. Also, you'll have to purchase a kick drum mic stand. This field is for validation purposes and should be left unchanged. Near the outside head: If you have both heads on the drum, you can place the mic a few inches from the outside head. Most people setting up sound for a bar band drummer don't want to fiddle around with perfect mic placement and figuring out how to eq the kick for "that sound". Pro sound guys often set a mic inside my bass drum on the Evans EQ pad because they say it gives a more solid thump (shorter note, I assume). Getting the best kick drum sound is a combination of careful mic choice and placement, along with a well tuned and played drum. Start here. JavaScript is disabled. Great response Hater. The kick and snare positions are really a matter of moving the mics until you achieve a sound that you like. This placement gives you less of the attack of the beater striking the head and more of the body of the drum’s sound. This Mic Placement Guide can be used as a starting set-up no matter how big the room is or if you are indoor or outdoor. You must log in or register to reply here. A sound guy noticed where I was pointing the mic and he suggested pointing more towards the edge of the head vs. pointing straight at the center. Your email address will not be published. Don't try to make the kick sound all modern and punchy and huge, with no hole the sound will be fat and warm and your mic in front of that with a little EQ and gate into a decent sound system will work just fine. D112, B52, D6, AT250, they will all work just fine. The principles behind miking your drum kit live and in the studio are similar. D112, B52, D6, AT250, they will all work just fine. It’s much less about the plugins, EQ, compressors or how many subs are in the system. The noise-masking acoustic diffusion you get in the best live venues lets you get away with all kinds of tricks, from extreme EQing to dynamics processing that would sound awful on a studio album. Hello all, I thought it would be interesting to read people's thoughts on ideal bass drum mic placement for optimal sound. I put a composite Kelly Shu in the drum and I first tried out the AKG D112. The goal is to capture the full range of the instrument, which usually means having a mic on your kick drum, a mic on your snare, and at minimum an overhead microphone. Move that mic until it sounds good. The Snare Drum- Use an SM57 Dynamic Hyper-Cardioid Microphone for classic Live sound. What I did on my summer lockdown (new album). Some people choose […] manufacturers have come up with new varieties of dynamic and condenser microphones for the purpose. Other microphones have come in to challenge these, though, and all the major Placing your kick mic inside the kick drum will yield a tight, punchy sound that is relatively immune to spill from other elements of the kit. The overall winner and best kick mic for live sound has to be… the Sennheiser e902. The only kick drum microphone I know of that doesn’t require a stand is the Shure Beta 91, but other than that, almost all kick drum microphones really need a stand to get the best sound. In this case, the drummer can either choose to have a mic permanently installed inside the bass drum or live with the reduced attack by miking the bass drum from the outside.

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