You cannot polish a turd. As kick drums can come in a wide variety of sizes, the different techniques used to position them can also vary significantly. Know the sound you’re aiming for before even walking into the studio. All rights reserved. You might even want to use a selection of drum heads for different songs or even just different parts of songs. In a boomier kick (i.e. Simply remove the resonant head, place the Beta 91 on his pillow or blanket, and run the tiny, narrow cable it uses through a vent hole. Listen to the recording and decide which position sounds best on playback. The fader can be pulled back to account for the increased gain. Your email address will not be published. Just inside the hole, you'll get more tone. Learn how to record a kick drum from the production team at Silicon Beats with this detailed turorial with audio examples, images and videos. With a FET47 I will occasionally use a pop filter. Inside Mic / Attack Mic Putting a microphone inside of the drum pointing at the beater will help capture the mid range and attack of the drum. This might sound obvious, but if you’re dealing with a young rock band, the chances are they probably haven’t given much thought on how to record a kick drum. Then you can put your resonant head back on, still getting a nice, sealed, resonant sound with some beater attack.” It’s advisable to attempt to get a great kick sound using only one microphone first.  +  Hopefully, these techniques can save that from ever happening to you. I’m not sure if the head is any more or less structurally sound with a melted hole as opposed to a cut hole, but it’s a heck of a lot easier. You can download these kick drum samples for free. To effectively mic up a kick drum I like to use two mics. You should still be able to achieve an excellent kick drum sound even after cutting the hole and now you’ve got the added luxury of less mic bleed. Using a 2 ply drum head will deliver more attack and often shorter sustain while a single ply drum head will deliver increased resonance with more sustain. }, My most recent toy is the ‘Kelly Shu shock mount system’ which enables me to place my kick drum mic right inside the kick drum without cutting a great big hole in the resonant head. If you are planning on recording in a garage, do NOT empty the garage of all those ancient board games and hockey sticks. Here are three examples of different tones created by different kick drums based on genre. How far in to place the inner mic depends on the type of sound you want, and the amount of damping in the drum. If your room ambience is sounding awesome you are well on your way to capturing a stunning live drum recording. Not sure how to get a mic inside, and a mic on the hole outside. Typically they’ll want a more resonating kick drum sound that has little to no dampening. I generally prefer considerable damping in my kick drums, and rarely need to get more attack, therefore I place my inner kick mic just inside the hole. ); He'd get a much punchier sound, with better tone and better imaging, if he can bring the two OHs more in-phase. Regarding phase between the two kick mics, I hate to lay the all-purpose GS answer on you, but, here goes...just listen! He offers up overhead miking tips, how to reduce bleed of the ever-present hi hat, why he uses multiple microphones on the kick drum, and more. The first step in learning how to record a kick drum is to educate your ears by listening to other bands in your genre that have high quality recordings. The best... © 2018 Silicon Beats. Mic placement. One of the easiest methods I’ve seen for cutting the hole in the reso head involves a heated can placed on the drum head which simply melts through the plastic. The sound from this mic picks up a lot of energy exiting the resonant head of the kick drum and offers a nice balance to the less natural sound that you get from inside the kick drum. The shape of the room and the height of the ceiling will dictate how far you can experiment and you’ll know when you hear the sweet spot. Hey there! How to record a snare drum. The kick mic can be placed inside the drum or in front. I’ve heard horror stories of engineers cutting port holes into a vintage kick drum head so they can put a mic inside, Needless to say, those sessions didn’t end well. Coming Soon! Or does it make more sense to put the 421 on the beater side of the drum, so I can keep the D12E in the hole? If there is a mic inside, the outside mic can't also fit in front of the hole. What do I mean by room reflections? Check out this cool vid. You can use the plastic beater on the kick drum pedal and if you want a really ‘clicky’ sound, try sticking a metal click pad on the beater head of the kick drum. “I’ll end up probably moving this mic a couple of times while we’re getting sounds, but the idea is I’m going to get all that lower end information that I want. Listen carefully because it might be difficult to detect since its such a low-frequency source. Do I therefore place it just on the skin next to the hole, and experiment with placement from a few inches off the head, to a few feet back? Listen to the room mikes first, then add the kick mike until it’s balanced.” However, when getting a bass drum sound with an overhead/kick microphone combination, be sure to keep signal phase in mind. http://www.evansdrumheads.com/EvDrumsetBassBatter.Page?ActiveID=3587. I am trying a 421 for inside and an AKG D12e for outside. Inside Mic / Attack Mic Putting a microphone inside of the drum pointing at the beater will help capture the mid range and attack of the drum. The Evans web site offers a superb tool for choosing the right type of kick drum heads with audio examples and some basic stats on things like attack, sustain, tone and durability. Get this right and you’ll get an awesome drum sound in your production. ...does inside mean anywhere from poking into the hole, to extended all the way, inches from the beater head? At this point you’ll start to get a feel for the type of drum sound you’ll be able to create. The drummers would use different sizes of drums, different tone woods, different heads and different beaters on the kick drum pedal. By having a microphone dedicated to these areas of the overall tone, you can EQ the key frequency of the attack and dial it in to taste. undamped), you may need to get the mic further inside to balance the attack against the increased amount of tone. Time limit is exhausted. When you buy products through links across our site, we may earn an affiliate commission. We do this in an attempt to create some isolation between the different drum mics and prevent mic bleed. If you position your drum set so that it’s facing a metal garage door, don’t be surprised if it sounds like a bag of smashed crabs. How To Mix Drums and get a Killer Drum Sound – Part 2, How To Mix Drums and get a Killer Drum Sound – Part 1. Give the high energy sound waves some breathing space so that they get the chance to be diffused by objects within the room. Near the inside head (left illustration): If you take off the outside head or cut a hole in it, you can put the mic inside the drum. I can guarantee that even with your kick drum mic placed right inside your kick drum, you’ll still pick up some of the snare drum and other parts of the drum set.

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